Showing posts with label lines. Show all posts
Showing posts with label lines. Show all posts

Monday, November 29, 2010

Have You Heard the One About the Rabbi Who Didn't Memorize His Lines?

Usually an Off Broadway theater company trumpets its production starring an Academy Award winner. But not so the Culture Project with its production of Colin Greer’s play “Imagining Heschel,” running through Nov. 28 at the Cherry Lane Theater and starring Richard Dreyfuss (a 1977 Oscar winner for best actor in “The Goodbye Girl”) as the prominent 20th century Jewish theologian Abraham Heschel.

The Culture Project has canceled the opening night for the production, which began performances on Nov. 4, and has asked theater critics not to review the show, which imagines what was said during years of conversations between Rabbi Heschel and Cardinal Augustin Bea as they worked to improve Jewish-Catholic relations.

Allan Buchman, the founder and artistic director of the Culture Project, said in an interview on Thursday that he and others decided the production was not ready for critical scrutiny, and that they feared mixed or negative reviews would damage the play’s chances for future stagings. Among other issues, rewrites to the script were underway through late last week, and Mr. Dreyfuss, 63, had agreed to perform on the condition that he not have to participate in a normal rehearsal schedule and that he not have to commit all of his lines to memory.

Three months ago, Mr. Buchman said, the Culture Project held a private reading of the play with Mr. Dreyfuss and the composer and performer Rinde Eckert (“Orpheus X”) as Bea. Mr. Buchman said he, the director Larry Moss, and Mr. Greer “felt Richard did a huge job and had a great affinity for the material,” noting that Mr. Dreyfuss had memorably recited Kaddish in a 1994 commemoration of the Holocaust at the Vatican in the presence of Pope John Paul II.

“At the same time, Richard was upfront with us that he had more or less retired from the theater,” Mr. Buchman said. “He made it clear that while he was interested in doing the play, he didn’t want to be part of a full production. So we thought that him being partially on book would add a lot more than having another actor who had memorized all of his lines, and we cherished the idea of him and Rinde having a go at it.

“And we felt what Richard was contributing through the dramaturgical and theatrical process added a lot more to the production than having another actor go through the full rehearsal process.” Tickets at the 179-seat theater are $61 apiece.

Mr. Dreyfuss arrived in New York on Halloween and performances began Nov. 4; normally, the cast and crew would have had at least a few weeks of rehearsal. But from the first night, Mr. Buchman said, the production was clearly a work-in-progress, with Mr. Greer doing rewrites until last Friday — a process that normally culminates during rehearsals — and Mr. Dreyfuss reading lines from his script during performances.

“While we think this is a provocative night at the theater, we also didn’t want to risk penalizing the future of the play,” Mr. Buchman said. “If we got reviews and the reviews were lukewarm at best, the chances of this play having a future at regional theaters and elsewhere would be absolutely nil.” He added that the actors, Mr. Greer, Mr. Moss and members of the Heschel family all agreed with this course of action.

Jane Dystel, Mr. Dreyfuss’s agent, said she was unaware of any significant problems with the production.

Mr. Dreyfuss, 63, is known in the acting community as strong-willed and blunt. His last major theatrical outing was supposed to be as the lead character Max Bialystock in the Mel Brooks musical “The Producers” in London, but he was fired from the show in October 2004 just days before preview performances were to begin.

Mr. Buchman said there had been no such problems with “Heschel” because Mr. Dreyfuss had made clear to the everyone that he was only willing to do so much to prepare for the show. “I know Richard’s reputation, and he has not shied away from offering his viewpoints during the production, but he has also been nothing but professional,” Mr. Buchman said.

He added that he hoped to mount “a full production with a full production schedule” of the play in a year or so, but did not expect Mr. Dreyfuss to return to the role.

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Monday, November 8, 2010

Applications and Mobile Web - mobile battle lines are drawn as openMIC barcamp Brighton is

(News release distribution) - openMIC, first the United Kingdom independent mobile developer network comes to hold its next Conference one at the Grand Hotel Brighton Thursday, November 4
.
"More than a hundred of the United Kingdom mobile developers should converge on Brighton for this debate of confrontation between native applications and the mobile web," said Chris book which heads-up network openMIC. "Mobile is the most rapid peripheral evolution on Earth - the iPhone has created a specific market platform, while mobile operators are trying to tear down their gardens open their networks to offshore commerce.OpenMIC Portal is the place to come and explore the potential of the company of these developments.?

Free to participate, one-day event will kick off with presentations by Tom Hume Managing Director of future platforms, Stuart Scott, CEO of Intohand, Mike Ormond, developer outreach with Microsoft and Emily Toop, owner of Radical Robot, followed by a panel of developers.

In the afternoon, barcamp sessions will allow the discussion freely and continue with small groups.

Delegate places is free for developers - register: www.open-mic.org.uk

-Ends-

openMIC is organized by the Centre for innovation of bath and sponsored by Digital Communications Knowledge Transfer Network (www.DCKTN.org.uk) grass roots organization to enable mobile developers meet and innovate with the possibility of mobile.

Media contact:
Pinar Turgut-onions
01225 388639
p .Turgut-onions [at] ac.uk bath [dot]

Distributed on behalf of the University of bath, by (http://www.neondrum.com) NeonDrum news distribution service

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