Showing posts with label culture. Show all posts
Showing posts with label culture. Show all posts

Monday, January 3, 2011

The Week in Culture Pictures, Dec. 31

ArtsBeat is a Web site devoted to culture news and reviews, and to the work and interests of the reporters and critics of the culture department of The New York Times. Come here for breaking stories about the arts, coverage of live events, interviews with leading cultural figures, critical reviews, multimedia extravaganzas and much more.

We welcome your input: Send your feedback and tips to artsbeat@nytimes.com and learn more about our commenting policy here.

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Sunday, December 19, 2010

The Week in Culture Pictures, Dec. 17

ArtsBeat is a Web site devoted to culture news and reviews, and to the work and interests of the reporters and critics of the culture department of The New York Times. Come here for breaking stories about the arts, coverage of live events, interviews with leading cultural figures, critical reviews, multimedia extravaganzas and much more.

We welcome your input: Send your feedback and tips to artsbeat@nytimes.com and learn more about our commenting policy here.

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Saturday, December 11, 2010

The Week in Culture Pictures, Dec. 10

ArtsBeat is a Web site devoted to culture news and reviews, and to the work and interests of the reporters and critics of the culture department of The New York Times. Come here for breaking stories about the arts, coverage of live events, interviews with leading cultural figures, critical reviews, multimedia extravaganzas and much more.

We welcome your input: Send your feedback and tips to artsbeat@nytimes.com and learn more about our commenting policy here.

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Saturday, December 4, 2010

The Week in Culture Pictures, Nov. 26

The White Light Festival

The New York Times classical music critics and a reporter are discussing Lincoln Center's White Light Festival, music and spirituality.

White Light Festival: An Act of Testimony
By STEVE SMITH

The message is not that classical music is lofty, beautiful, cultured or superior. It is that some classical music - and some Indian devotional music, and some speculative early-music theater, and some kung fu-related dance - can provide the same contemplative conduit that yoga, meditation or, perhaps, psychoanalysis do.

White Light Festival: A Tribute to Belief
By ANTHONY TOMMASINI

Virgil Thomson, who grew up in a Baptist family and was a church organist in his youth, was never susceptible to religion, even as a child. Yet like his student Mr. Rorem, Thomson wrote many deeply felt sacred works.

White Light Festival: The Proof Is in the Reviews
By ALLAN KOZINN

And speaking of the personal side of spirituality, I have to say that for all the cross-cultural variety that has been cited on the festival's behalf, I found that my own spiritual interests were entirely unrepresented.

More Arts News & Features

Those Undulating Swan Arms? Not So Easy to Do
By JULIE BLOOM

Natalie Portman trained hard for the role of lead ballerina in Darren Aronofsky’s “Black Swan,” a psychological thriller centered on a performance of “Swan Lake.”

About ArtsBeat

ArtsBeat is a Web site devoted to culture news and reviews, and to the work and interests of the reporters and critics of the culture department of The New York Times. Come here for breaking stories about the arts, coverage of live events, interviews with leading cultural figures, critical reviews, multimedia extravaganzas and much more.

We welcome your input: Send your feedback and tips to artsbeat@nytimes.com and learn more about our commenting policy here.

Follow us: Twitter | RSS

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Tuesday, November 30, 2010

The Week in Culture Pictures, Nov. 19

The White Light Festival

The New York Times classical music critics and a reporter are discussing Lincoln Center's White Light Festival, music and spirituality.

White Light Festival: An Act of Testimony
By STEVE SMITH

The message is not that classical music is lofty, beautiful, cultured or superior. It is that some classical music - and some Indian devotional music, and some speculative early-music theater, and some kung fu-related dance - can provide the same contemplative conduit that yoga, meditation or, perhaps, psychoanalysis do.

White Light Festival: A Tribute to Belief
By ANTHONY TOMMASINI

Virgil Thomson, who grew up in a Baptist family and was a church organist in his youth, was never susceptible to religion, even as a child. Yet like his student Mr. Rorem, Thomson wrote many deeply felt sacred works.

White Light Festival: The Proof Is in the Reviews
By ALLAN KOZINN

And speaking of the personal side of spirituality, I have to say that for all the cross-cultural variety that has been cited on the festival's behalf, I found that my own spiritual interests were entirely unrepresented.

More Arts News & Features

Gotham Chronicle: Sharp Eye, and Pencil
By CAROL KINO

The artist Denys Wortman, who from 1924 to 1954 contributed six drawings a week to The New York World and its successors, has been rediscovered.

About ArtsBeat

ArtsBeat is a Web site devoted to culture news and reviews, and to the work and interests of the reporters and critics of the culture department of The New York Times. Come here for breaking stories about the arts, coverage of live events, interviews with leading cultural figures, critical reviews, multimedia extravaganzas and much more.

We welcome your input: Send your feedback and tips to artsbeat@nytimes.com and learn more about our commenting policy here.

Follow us: Twitter | RSS

Archive

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The Week in Culture Pictures, Nov. 19

The White Light Festival

The New York Times classical music critics and a reporter are discussing Lincoln Center's White Light Festival, music and spirituality.

White Light Festival: An Act of Testimony
By STEVE SMITH

The message is not that classical music is lofty, beautiful, cultured or superior. It is that some classical music - and some Indian devotional music, and some speculative early-music theater, and some kung fu-related dance - can provide the same contemplative conduit that yoga, meditation or, perhaps, psychoanalysis do.

White Light Festival: A Tribute to Belief
By ANTHONY TOMMASINI

Virgil Thomson, who grew up in a Baptist family and was a church organist in his youth, was never susceptible to religion, even as a child. Yet like his student Mr. Rorem, Thomson wrote many deeply felt sacred works.

White Light Festival: The Proof Is in the Reviews
By ALLAN KOZINN

And speaking of the personal side of spirituality, I have to say that for all the cross-cultural variety that has been cited on the festival's behalf, I found that my own spiritual interests were entirely unrepresented.

About ArtsBeat

ArtsBeat is a Web site devoted to culture news and reviews, and to the work and interests of the reporters and critics of the culture department of The New York Times. Come here for breaking stories about the arts, coverage of live events, interviews with leading cultural figures, critical reviews, multimedia extravaganzas and much more.

We welcome your input: Send your feedback and tips to artsbeat@nytimes.com and learn more about our commenting policy here.

Follow us: Twitter | RSS

Archive

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Tuesday, November 9, 2010

Images of the culture week 29 October

ArtsBeat is a website dedicated to culture news and reviews and work in the interests of journalists and critics, the Ministry of culture of the New York Times. Come here for breaking stories on the arts, coverage of live events, interviews with cultural personalities, critical reviews, multimedia productions and much more.

We welcome your comments: email your comments and advice to artsbeat@nytimes.com and learn more about our policy comment here.

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